Home Publishers Coronavirus Puts Digital Media In A State Of Flux

Coronavirus Puts Digital Media In A State Of Flux

SHARE:

Digital media is starting to feel the effects of COVID-19’s US invasion.

Consumer engagement in online content is spiking. And while some advertisers are watching and waiting, others are taking action and shifting media budgets or strategy.

The traffic effect

At Insider Inc., for example, traffic is way up as people seek information about the coronavirus.  “We have seen a huge surge of visits to our sites and coronavirus coverage is the primary driver of that surge,” said its publisher and CRO Pete Spande.

BuzzFeed likewise is seeing traffic up double digits across every metric, including unique visitors, new visitors, sessions and page views, said Ken Blom, SVP of ad strategy and partnerships.

Much of that traffic is for entertainment and utility-focused articles that aren’t about the coronavirus. Top articles in in the past few days include a test about the color red, a story about bad bosses and a look back on the movie “Grease.”

Shopping articles have also been performing well. Some focus on concerns related to the coronavirus, such as a rundown about cleaning products.

National CineMedia, which sells the ads that run in movie theaters and online trivia and movie portals, so far hasn’t seen any impact on movie-going attendance in the United States, but acknowledges it’s a “fluid situation,” noted Lara Mehanna, VP of digital strategy.

The advertising effect

Digital media companies are already seeing some changes in programmatic buying, while direct budgets have been slower to change.

Insider’s direct relationships are unchanged. But programmatic yield is lower on articles about the coronavirus.

Subscribe

AdExchanger Daily

Get our editors’ roundup delivered to your inbox every weekday.

“The word coronavirus present a growing problem for news publishers,” Spande said. “This is the story of the moment, and our newsroom cannot and would not shy away from the topic.”

Plus, block lists often miss nuance, he added. “We advise brands to think about context rather than a strict keyword block. A story about how to best work from home is very different from a story about an analysis of regional death rates.”

BuzzFeed also said direct relationships were unchanged.

“We are not seeing any media turn off at this point,” Blom said. “In fact, I think marketers understand the importance of speaking to their audience now more than ever. We’re keeping our audience informed through our reporting and continuing to help brands reach our audience during this challenging time.”

Some of National CineMedia’s clients planned to run campaigns tied to movie releases that have been postponed. Among the movies that have been postponed so far include the latest James Bond film “No Time To Die,” “A Quiet Place 2” and “Peter Rabbit 2: The Runaway.” Those clients are simply moving those campaigns to the new launch date. Others who were targeting general movie audiences are still reaching them in theaters and across NCM’s digital offerings.

Digital media a bright spot?

Online media and OTT streaming should be more pandemic-proof than other forms of media since they don’t require in-person interaction. And online content will offer connections and information between people who can no longer meet.

“We need to respond and support our audiences in a way that only digital can, and lean into our digital world in the best ways possible,” Blom said. “Our industry thrives on change and new online behaviors. This is a great opportunity to test new ways we can drive human connection through digital mediums and experiment.”

Practically it could mean people adopt new behavior. Event cancellations could accelerate cord cutting, predicted Insider Inc.’s Spande, who is following the broadcast and cable market closely.

“The cancellation of the professional and college athletic seasons will likely drive more people to cut the cord or thin their cable subscription substantially,” Spande said. “That will likely drive more ad-free viewership on OTT platforms and further increase the focus on digital video and digital more broadly.”

Must Read

Amazon Juices Profits, With A Big Assist From The Ads Biz

Wall Street wanted profits. Big Tech delivered. That was the case for Google, Meta, Microsoft, Apple and – more than any other US tech giant – Amazon.

Comic: Welcome Aboard

Google’s Ad Revenue Rockets Upward Again, But The Open Web Is Getting Less

Google has always been the internet waystation. People arrive to be shuttled someplace else. Increasingly, though, Google is the destination.

How Bayer Is Using Creative Analytics To Cure Its Data Divide

Bayer partnered with its data agency, fifty-five, to develop a custom in-house creative analytics dashboard built on Google Cloud to more effectively measure and evaluate creative performance.

Privacy! Commerce! Connected TV! Read all about it. Subscribe to AdExchanger Newsletters

First-Party Data On Ice? How Conagra’s Birds Eye Brand Navigates The New Video Ecosystem

Conagra-owned brand Birds Eye brings a new approach to online video, social shopping and first-party data.

As The Open Web Wobbles, Index Exchange Is Betting On Curated Deals

Index Marketplaces activates the curation capabilities of DSPs, DMPs and RMNs – and the demand for their PMP deals – across Index Exchange’s network of publishers.

an almost handshake

LUMA: 2024 Will Be Better For M&A (No, Seriously This Time)

Overall deal activity in the ad tech market was down 10% year over year in 2023, according to LUMA Partners. But 2024 may be looking up.